Lyrics

Say less, think less
So much time to take your time
How would it feel to ease your mind?

Run less, walk less You've been moving all the time How would it feel to slow things down?

We were not meant for each other The girl who said that, she lied to you The world was made for us two I cannot wait here forever If you only knew what I would do To love was made for us two

See less, hear less So much noise that you don't need How would it feel to turn things down? Clueless, hopeless That's how they feel when they talk about us two Some like to discuss To judge us two And what we go through

They'll learn about us They'll trust us two If only they knew

We were not meant for each other The girl who said that, she lied to you The world was made for us two I cannot wait here forever If you only knew what I would do To love was made for us two

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Behind the Song

Some songs feel like a note you find in your pocket after a long day, like it was placed there right when it was needed. This one begins with a quiet push to stop rushing and to stop carrying so much noise around. It circles back to simple choices that are harder than they sound: say less, think less, run less. Each line feels like a small step toward breathing again, toward remembering what it’s like to move through life without always checking the clock. There’s a worn-out kind of motion at the center of it, the feeling of going nonstop for so long that slowing down doesn’t even feel natural anymore. The song doesn’t just point that out, it challenges it, asking what it would take to ease the mind, slow the pace, and turn the volume down. Then it opens into something more personal. One sentence from someone else still hangs in the air, the kind of comment that gets repeated in your head long after it was said: that they were never meant to be. That doubt becomes a wall between two people, not because it’s true, but because it was planted. The song pushes back against it with a steady belief that what they have isn’t a mistake, and it refuses to let someone else’s opinion write the ending. The outside world stays close the whole time, people talking, judging, picking apart what they don’t understand. It’s not only about two people trying to hold onto each other. It’s about trying to do it while the world keeps leaning in, asking questions that don’t belong to it. The answer isn’t to argue with every voice. It’s to close the window, lower the noise, and focus on what’s real. Underneath all of it is the pressure of waiting. One heart is ready, the other is still tangled up in thoughts, still moving too fast, still listening to the wrong voices. There’s a line that lands like a hard truth: waiting can’t last forever. Not as a threat, but as the kind of honesty that shows up when guessing starts to hurt more than the risk of choosing. By the end, it feels like a private promise made in the middle of all that sound: slow down, shut out the extra voices, stop letting one old lie steer the whole story, and choose each other while the chance is still there.